Mass Personalisation? How Spotify Uses 'Imagined Exclusivity' to Stand Out in the Crowded Marketplace for Music Streaming

With Brian J. Hracs. In preparation.

User Research Meets PhD Research

(2017) Parliamentary Digital Service Bloghttps://pds.blog.parliament.uk/2017/08/02/guest-post-user-research-meets-phd-research/



Book Review: The Production and Consumption of Music in the Digital Age

(2016) Information, Communication & Societyhttp://dx.doi.org/10.1080/1369118X.2016.1259345. PDF.


Towards A Theoretical Approach For Analysing Music Recommender Systems As Sociotechnical Cultural Intermediaries

(2016) Proceedings of the 8th ACM Conference on Web Science, Hannover, Germany, May 23-25http://dx.doi.org/10.1145/2908131.2908148. PDF.

Where's the Composer in "Making Music with Open Data" 

(2014) Soundings: Music at Southampton. http://blog.soton.ac.uk/music/2014/10/18/wheres-composer-making-music-open-data/